This book provides a comprehensive historical treatment of the Latin liturgy in medieval England. Richard Pfaff constructs a history of the worship carried out in churches - cathedral, monastic, or parish - primarily through the surviving manuscripts of service books, and sets this within the context of the wider political, ecclesiastical, and cultural history of the period. The main focus is on the mass and daily office, treated both chronologically and by type, the liturgies of each religious order and each secular 'use' being studied individually. Furthermore, hagiographical and historiographical themes - respectively, which saints are prominent in a given witness and how the labors of scholars over the last century and a half have both furthered and, in some cases, impeded our understandings - are explored throughout. The book thus provides both a narrative account and a reference tool of permanent value.
This is a one-volume history of medieval Scotland, concentrating on the period between the middle of the eleventh century and the Reformation and taking full account of recent scholarship. It is primarily a political and ecclesiastical study, analysing the development of the institutions of the Scottish state, conflict and co-operation between the crown and the nobility, relations with external powers, the history of the church in Scotland, and the formation of a distinctive Scottish identity. The Wars of Independence are examined in their historical context, and elements of identity and change are identified across the whole period. Particular emphasis is placed upon relations between core and periphery in medieval Scotland and on the difficulties experienced by the crown in imposing royal authority in the north and west.
Catalogued and illustrated here are 162 drawings and watercolours of mosaics and wallpaintings in Roman churches, now in the Mosaici Antichi albums which are housed in the Royal Library at Windsor Castle. Among the churches represented, S. Lorenzo fuori le mura and S. Maria in Trastevere feature in the greatest number of drawings, but detailed representations of the decoration in other churches, such as S. Andrea cata Barbara, S. Giovanni in Laterano, S. Clemente and S. Prassede, are also included.
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